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News articles on film
Mongabay.com news articles on film in blog format. Updated regularly.
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(04/30/2012) Shirtless boys rapidly pull the computer apart, discarding bits and pieces, until they expose the wires, yank them out, and toss them into a fire. Acrid, toxic smoke blooms as the boys prod the wires and the fire strips the plastic around the wires, leaving the sought-after copper. Welcome, to Agbogbloshie, where your technology goes to die. A new film e-wasteland captures the horrors of the world's largest e-waste slum through surreal and staggering images. Shot over three weeks by one-man guerrilla filmmaker, David Fedele, e-wasteland is an entirely visual experience without dialogue or voiceover.
(04/04/2012) Mohamed Nasheed, former president of the Maldives, told the world on The Daily Show Monday night: "Just don't be so silly" about climate change. Nasheed, who in February was forced to resign his presidency, is visiting the U.S. to meet with government officials as well as to push for climate action during the release of a new documentary film about his presidency, entitled The Island President.
(02/22/2012) Born to be Wild 3D, an IMAX documentary in part about the plight of orphaned and injured Bornean orangutans (Pongo pygmaeus), will soon be aired in the rainforest that inspired it. Producer Drew Fellman is setting up a screen in the rainforest to screen the film for orphaned orangutans. "They came to be like members of the crew," Fellman told the Associated Press.
(09/26/2011) Some scientists may scoff at the idea that animated anthropomorphized animals—from Bambi to Simba to Nemo—could have an important impact on conservation efforts to save real-world species, but a new opinion piece in mongabay.com's open-access journal Tropical Conservation Science argues that conservationists would do well to join forces with the makers of animated blockbusters to help save the world's dwindling biodiversity. The paper points out that a number of recent films focused on imperiled places, such as coral reefs (Finding Nemo) and the Atlantic Forest (Rio), as well as conservation problems like overfishing (Happy Feet) and climate change (Ice Age: the Meltdown).
(08/29/2011) In one scene a young man, perhaps not long ago a boy, named Douglas stands shirtless and in shorts as he runs a chainsaw into a massive tropical tree. Prior to this we have already heard from an official how employees operating chainsaws must have a bevy of protective equipment as well as training, but in Papua New Guinea these are just words. The reality is this: Douglas straining to pull the chainsaw out of the tree as it begins to fall while his fellow employees flee the tumbling giant. The new film Bikpela Bagarap('Big Damage') documents the impact of industrial logging on the lives of local people in Papua New Guinea.
(02/14/2011) The new theatrical film, The Last Lions does not open, as one would expect, with a shot of lions or even an African panorama. Instead the first shot is a view of our planet from space at night. Billions of artificial lights illuminate continent showing just how much humans over the past few thousand years have come to dominate our world. Then comes the lions, but not in person, just in this staggering, and little known, statistic: in the last 50 years we have gone from a population of 450,000 lions to 20,000 today, a 95% decline. While the dramatic story of the The Last Lions follows the perils and tragedies of lion motherhood in one of the world's last untouched places—the Okavango Delta—this statistic hangs over the film, reminding us that the story we are witnessing is on the verge of extinction.
(10/04/2010) How do you save one of the most biologically and culturally diverse places in the world if most people have never heard of it? If you want a big audience—you make a film. This is what wildlife-filmmaker Ryan Killackey is hoping to do with his new movie Yasuni Man. Killackey says the film will show-off the wonders of Yasuni National Park while highlighting the complexity of its biggest threat: the oil industry. "Conceptually, the film resembles a true-life cross between the documentary Crude and the blockbuster Avatar—except it's real and it's happening now," Killackey told mongabay.com.
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